residency

Artists:

residentie 2/4 >15/4/2018

 

HOW NOT TO BE UNDERSTOOD? INFINITY
Is a research project for a pieces-dance. 
'I see the ART-WORK as a compound of things, a panoply of beings, colours, textures, shapes, times, elements, motifs, sounds that are operating and communicating at the moment of its creation and that genders its shape, bringing the infinite to the finite (shape) and again to the infinite through the viewer'
In this research with the idea of a Spirit that surrounds the artist, Marcos Simoes will approach Art as an infinite movement of Things, a continuous activity of pieces. A collection of different 'pieces' (Things) that will be putted into relation through movement - a constant passage from one thing to another. 
This collection of 'pieces' are made of dances, images, text, objects and film. 
Art as a Thing that moves around, beyond, behind, on top, or under, that changes constantly, that is here and there and everywhere. Art as a dance of pieces. Art as Love. 
 

residency

Artists:

residentie 2/4 >15/4/2018

HOW NOT TO BE UNDERSTOOD? INFINITY

Is a research project for a pieces-dance. 
'I see the ART-WORK as a compound of things, a panoply of beings, colours, textures, shapes, times, elements, motifs, sounds that are operating and communicating at the moment of its creation and that genders its shape, bringing the infinite to the finite (shape) and again to the infinite through the viewer'
In this research with the idea of a Spirit that surrounds the artist, Marcos Simoes will approach Art as an infinite movement of Things, a continuous activity of pieces. A collection of different 'pieces' (Things) that will be putted into relation through movement - a constant passage from one thing to another. 
This collection of 'pieces' are made of dances, images, text, objects and film. 
Art as a Thing that moves around, beyond, behind, on top, or under, that changes constantly, that is here and there and everywhere. Art as a dance of pieces. Art as Love.